screechingswells.mp3 - Keeley BD-2 Freak Fuzz -> Boss PS-5 -> Digitech 
Digiverb -> Goatkeeper (ramp-up wave): This was recorded on a beta 
model. The Digitech Digiverb was set on a very slow reverse reverb 
setting, and turned on only on a few select spots during the clip, when 
a real rushing swell was needed. Other than that the clip is simply the 
freak fuzz going into the PS-5 (on whammy setting), with the goatkeeper 
set with a ramp-up at maximum depth (stages set at 1-6-3-8). I tapped a 
much faster tempo at the end.

fuzz_pitched.mp3 - MJM Foxey Fuzz -> Boss PS-5 -> Goatkeeper (square 
wave): Recorded on a beta model, the stages were set at 1-6-2-1, with a 
square wave at max depth. After the tempo increase, the PS-5 was used 
for some whammy-effects.

ultra_short_staccatto.mp3 - Clean guitar -> Goatkeeper (user-set 
waveform): Recorded on a beta model, this is a user-set waveform. It is 
just a very quick ramp-down waveform, with the stages set at 1-1-1-2.

trem-doom.mp3 - Zvex Machine -> Moosapotamus Dirty Bird -> Goatkeeper 
(square wave): Recorded this one on a very early breadboard version. I 
particularly like the way the Machine and Dirty Bird were used to 
create 
a mostly static, white noise, allowing the goatkeeper to be the main 
driving force of the passage.

trem-harmony.mp3 - Clean guitar -> Boss PS-5 -> Generic Line6 fuzz -> 
Goatkeeper: This was recorded on a very early breadboard version. This 
is a clean guitar going into a Line6 modeler and PS-5 (set on a harmony 
setting), with the goatkeeper stages set at 16-16-8-4. Generic Line6 
fuzz was used halfway through the clip.

planet telex.mp3 - Clean guitar -> EHX Small Clone -> Goatkeeper (sine 
wave): Just a little Radiohead showing the Goatkeeper acting as a 
"typical" tremelo pedal.

2-stage-stutter.mp3 -> ProCo RAT -> Goatkeeper (square wave): Recorded 
on the production model, the goatkeeper alternated between divisions of 
8 and 16, on a very fast setting. Even with the RAT on a mild 
distortion 
setting, the super fast stutter bends the notes making it difficult to 
make out the chords. Towards the end, I tapped a slower setting to 
allow 
the listener to hear the goatkeeper settings more clearly.

pinched.mp3 - EHX Big Muff -> Goatkeeper (square wave). Recorded on a 
production model, with the stages set at 1-3-mute-8. Just some fun with 
pinch harmonics.

ramped-up rambling.mp3 - Clean guitar -> Line6 generic chorus -> 
Goatkeeper (ramp up): Recorded on a production model, this has the 
goatkeeper set at increasing divisions (can't remember, but I think it 
was 3-4-6-8), with no attention paid to rhythm. I just let the 
increasing trem speeds juxtapose on some random arpeggios.